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6. To change the timing of the automatic restore point setting, right-click the RPGlobalInterval key and choose Modify. 7. In the resulting Edit DWORD Value dialog box, click the Decimal radio button, revealing the value as 86400. This is the number of seconds that pass between each automatic

To create a new Account, a client could locally create and populate an AccountDTO, and pass this object to the session fa ade, which would use it in the ejbCreate method on AccountHome The less maintainable alternative would be to pass all the attributes of Account as method parameters to the session fa ade and then to ejbCreate() For example, which looks more maintainable: ejbCreate(attrib1, attrib2, attrib3, attrib4, attrib5, ..), or ejbCreate(aDTO).

Use the Animation Gallery to change an existing animation or to apply animation to an object that is not already animated. Add Animation can be used to add more animation to an object that is already animated, as well as to animate objects that are not already animated. n

You can adjust the shadows, midtones, and highlights in variations by clicking the appropriate buttons at the top right of the dialog box. If you re having trouble with a color cast that s only in the shadows, for example, you can try to address it without shifting the highlights as much.

<method> <ejb-name>dualPersistent</ejb-name> <method-intf>Remote</method-intf> <method-name>*</method-name> </method> <trans-attribute>Required</trans-attribute> </container-transaction> </assembly-descriptor> </ejb-jar>

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is nonsingular, there exists a maximum number of points that can lie on the boundary. With a conjecture that the Fekete points in fTt attain this maximum number on the edges, 3. was proved in [ 151. The Fekete points presented in Tables 4.6-4.8 and on the companion CD-ROM (for 1 5 p 5 19) were drawn from [ 1181 with permission of the authors.

1. Open an image in Photoshop. The image needs to contain a building or other square object that has a prominent corner and at least two different planes. The simpler these aspects are, the easier you ll find this exercise.

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where U is an m m unitary matrix. The columns of U consist of orthonormal vectors ui such that ui uj dij . {ui } form a basis of Rm spanning the data space. V is similarly an n n unitary matrix with columns vi spanning the object space Rn. L is an m n diagonal matrix with diagonal elements li corresponding to the singular values of H [97]. The singular values are nonnegative and ordered such that

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If you need more control over your layer effects than the Layer Style dialog box gives you, you can always convert the effects to separate layers. You can then tweak those layers as much as you want; for example, you can transform them, paint on them, or apply filters to them. To do this, select the layer; then choose Layer Layer Style Create Layer(s). As you can see in Figure 10.4, Photoshop creates one or more extra layers to re-create your chosen effects and removes the effects from the layer itself. Sometimes it creates a layer below the active layer (for example, when converting the Drop Shadow effect); sometimes it creates a clipping mask with the

potential merely propagates harmlessly down the branch and, most important, also toward the soma Thus, when the inputs to branch a are false, the soma is activated What is accomplished is a neural NOT gate During a NOT operation, the input to branch b must be solitons The external neuron driving branch a must also control or provide inhibitory inputs to branches b and z The inputs to branches e as well as b may be obtained from a single neuron The input to branch e is basically an enable, as is the input to branch b To summarize using Boolean notation, we have z e a0 b where z, e, a, and b are Boolean signals and au means NOT(a) It may be noted that the timing of the precharge due to branch e is not critical; it may arrive before or after the other signals arrive, for example.